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Home » Community » Interviews » The Monster of Nix, Studio Rosto AD

eyeon is a proud sponsor of the indie film, The Monster of Nix. This project is a collaboration between post houses in Amsterdam, France, and Belgium. It is a short film for children and families. Written and directed by Rosto, the project includes a mixture of different techniques including live action, CG, 3D, and 2D shots. The film is expected to premier in May 2011.

Working with Fusion for the first time, the team has had to learn the software as they progress in the project. Here is what Daan Spruijt, Senior Compositor on Monster of Nix, had to say about using eyeon's Fusion:

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"With eyeon Fusion, and especially the 3D environment, we are able to achieve the very complex and detailed level of VFX compositing we were aiming for in this production. Due to the extended toolset present in Fusion, we didn't really need to switch to other software programs to get the look we want.

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In The Monster of Nix, we are using the advanced 3D shading capabilities of Fusion 6 quite a lot since it saves time not needing to go back to another 3D app to change small things in the render. We are even shading whole 3D objects in Fusion and putting them directly inside the composite. Fine tuning and blending everything together is much more intuitive and faster than rendering it in a separate program and bringing it back to your composite app again.

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Almost all the shots are composited in the 3D environment of Fusion. This gave us the freedom to move the camera around as we wish and also gave us all the advantages of DOF, parallexing, re-lighting, re-timing your 3D tracked camera move, and 3D camera projections.

In the end, the particle system, which can truly exist in 3D in the Fusion environment, puts the final magic touch to the shot.

Furthermore, Fusion allows us to do infinitely more complex composites than layer-based software and still keeps everything understandable and organized. This is an advantage since The Monster of Nix is an animated film with over 700 shots, all of which consist of many elements and layers.

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Eyeon Fusion is helping us to keep track of all the material and shots. While scripts take away a lot of handwork, the capability to produce your own macros and re-use them in other shots is a real time-saver in the end."

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Keep up-to-date on how the film progresses at the following websites:

Visit the team's website at http://www.monsterofnix.com

Visit Rosto's website at http://www.rostoad.com

We, at eyeon, are very excited to see the film evolve and have the feedback of the Studio Rosto AD team. Can't wait to see the project come to fruition!

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